Le Caftan (After Deneuve), 2020-2021
Le Caftan (After Deneuve), 2020-2021

Gesso, acrylic, glitter and epoxy clay resin on panel, 60” x 48”

Le Caftan (Deneuve Odalisque), 2019-2021
Le Caftan (Deneuve Odalisque), 2019-2021

Gesso, acrylic and glitter on panel, 36” x 66”

Arrabbiata Arabesque, 2021
Arrabbiata Arabesque, 2021

Gesso, acrylic and glitter on panel, 40” x 30”

Le Turban, 2021-2022
Le Turban, 2021-2022

Gesso, acrylic and glitter on canvas, 48” tondo

The Turban, 2021
The Turban, 2021

Gesso and acrylic on canvas, 9” tondo

The Caftan (Talitha), 2019-2021
The Caftan (Talitha), 2019-2021

Gesso, acrylic, glitter and epoxy clay resin on panel, 60” x 36”

The Caftan (Poppies), 2021
The Caftan (Poppies), 2021

Gesso and acrylic on panel, 15” x 22”

The Caftan (It GIrl), 2021
The Caftan (It GIrl), 2021

Gesso, acrylic and glitter on panel, 22” x 15”

Illumination, 2018
Illumination, 2018

Gesso and acrylic on panel, 32” x 39”

Badakhshan Blue, 2018
Badakhshan Blue, 2018

Gesso, acrylic, glitter, epoxy resin and Wikki Stix on panel, 36” x 48”

The Ecstasy of Doris Duke, 2013
The Ecstasy of Doris Duke, 2013

Gesso and acrylic on canvas stretched on panel, 72” x 60”

The Taking, 2017-2018, Gesso, acrylic, gravel on insulation foam, plywood, foam core, linen, printed text on vinyl on pvc, laminated print, Dimensions variable
The Taking, 2017-2018, Gesso, acrylic, gravel on insulation foam, plywood, foam core, linen, printed text on vinyl on pvc, laminated print, Dimensions variable

The Taking is a faux-museum installation of 29 painted fragments with accompanying wall text. Each fragment depicts a detail of actual source material primarily Western in origin— chosen for its connection to the rich visual legacy of Iran and its neighbors. The museum-like wall text treats Persian and Iraqi contributions as central. The Taking is about acknowledging forgotten sources, and the need to build a new narrative from scraps.

Installation shot, The Taking
Installation shot, The Taking
detail, The Taking
detail, The Taking
detail of The Taking, fragment 26
detail of The Taking, fragment 26
detail of The Taking, wall text for fragment 26
detail of The Taking, wall text for fragment 26
Installed at the Walters Art Museum, Baltimore MD
Installed at the Walters Art Museum, Baltimore MD

Included in The Janet & Walter Sondheim 2019 Artscape Prize Finalists Exhibition.

Negar Ahkami The Taking and Coupling.jpeg
The Studio Visit (#solikethishappened), 2018
The Studio Visit (#solikethishappened), 2018

Gesso, acrylic and glitter on panel, 12” x 12”

The Birth of Pattern
The Birth of Pattern

Gesso, acrylic and glitter on panel, 48” x 48”, 2006

Les Persiennes (Matisse at Window), 2018
Les Persiennes (Matisse at Window), 2018

Gesso, acrylic and glitter on panel, 39” x 32”

Moi, Lorette // Concombres, Courgettes, 2020
Moi, Lorette // Concombres, Courgettes, 2020

Mixed media on Stryofoam trays packaging Persian cucumbers and baby zucchini, 9” x 72” (unframed)

Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail of Moi, Lorette // Concombres, Courgettes
Detail of Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Le Caftan (After Deneuve), 2020-2021
Le Caftan (Deneuve Odalisque), 2019-2021
Arrabbiata Arabesque, 2021
Le Turban, 2021-2022
The Turban, 2021
The Caftan (Talitha), 2019-2021
The Caftan (Poppies), 2021
The Caftan (It GIrl), 2021
Illumination, 2018
Badakhshan Blue, 2018
The Ecstasy of Doris Duke, 2013
The Taking, 2017-2018, Gesso, acrylic, gravel on insulation foam, plywood, foam core, linen, printed text on vinyl on pvc, laminated print, Dimensions variable
Installation shot, The Taking
detail, The Taking
detail of The Taking, fragment 26
detail of The Taking, wall text for fragment 26
Installed at the Walters Art Museum, Baltimore MD
Negar Ahkami The Taking and Coupling.jpeg
The Studio Visit (#solikethishappened), 2018
The Birth of Pattern
Les Persiennes (Matisse at Window), 2018
Moi, Lorette // Concombres, Courgettes, 2020
Detail from Moi, Lorette // Concombres, Courgettes
Detail of Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Le Caftan (After Deneuve), 2020-2021

Gesso, acrylic, glitter and epoxy clay resin on panel, 60” x 48”

Le Caftan (Deneuve Odalisque), 2019-2021

Gesso, acrylic and glitter on panel, 36” x 66”

Arrabbiata Arabesque, 2021

Gesso, acrylic and glitter on panel, 40” x 30”

Le Turban, 2021-2022

Gesso, acrylic and glitter on canvas, 48” tondo

The Turban, 2021

Gesso and acrylic on canvas, 9” tondo

The Caftan (Talitha), 2019-2021

Gesso, acrylic, glitter and epoxy clay resin on panel, 60” x 36”

The Caftan (Poppies), 2021

Gesso and acrylic on panel, 15” x 22”

The Caftan (It GIrl), 2021

Gesso, acrylic and glitter on panel, 22” x 15”

Illumination, 2018

Gesso and acrylic on panel, 32” x 39”

Badakhshan Blue, 2018

Gesso, acrylic, glitter, epoxy resin and Wikki Stix on panel, 36” x 48”

The Ecstasy of Doris Duke, 2013

Gesso and acrylic on canvas stretched on panel, 72” x 60”

The Taking, 2017-2018, Gesso, acrylic, gravel on insulation foam, plywood, foam core, linen, printed text on vinyl on pvc, laminated print, Dimensions variable

The Taking is a faux-museum installation of 29 painted fragments with accompanying wall text. Each fragment depicts a detail of actual source material primarily Western in origin— chosen for its connection to the rich visual legacy of Iran and its neighbors. The museum-like wall text treats Persian and Iraqi contributions as central. The Taking is about acknowledging forgotten sources, and the need to build a new narrative from scraps.

Installation shot, The Taking
detail, The Taking
detail of The Taking, fragment 26
detail of The Taking, wall text for fragment 26
Installed at the Walters Art Museum, Baltimore MD

Included in The Janet & Walter Sondheim 2019 Artscape Prize Finalists Exhibition.

The Studio Visit (#solikethishappened), 2018

Gesso, acrylic and glitter on panel, 12” x 12”

The Birth of Pattern

Gesso, acrylic and glitter on panel, 48” x 48”, 2006

Les Persiennes (Matisse at Window), 2018

Gesso, acrylic and glitter on panel, 39” x 32”

Moi, Lorette // Concombres, Courgettes, 2020

Mixed media on Stryofoam trays packaging Persian cucumbers and baby zucchini, 9” x 72” (unframed)

Detail from Moi, Lorette // Concombres, Courgettes
Detail of Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
Detail from Moi, Lorette // Concombres, Courgettes
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